BODY, VOICE, AND ACTION: AMÍLCAR CABRAL’S DISCURSIVE PERFORMANCE IN THE CALL TO ANTICOLONIAL RESISTANCE IN CABO VERDE AND GUINEA BISSAU

Authors

  • RIVALDO MENDES FREIRE TAVARES https://orcid.org/0009-0003-3979-4231
  • RAQUEL ABI-SÂMARA https://orcid.org/0000-0002-1300-9392

DOI:

https://doi.org/10.26619/1647-7251.DT0726.8

Keywords:

Amílcar Cabral, anticolonial resistance, discursive performance, Paul Zumthor

Abstract

This study proposes an original approach to understanding the success of Amílcar Cabral’s leadership through an analysis of the performativity of his speeches. In light of the central place of orality in African culture and the power of vocality - the physical presence and embodied dimension of communication - the singularity and effectiveness of Cabral’s engagement with his comrades become evident. His interventions simultaneously articulate the call to armed resistance, ethical and moral formation, and the dissemination of scientific knowledge among populations historically deprived of formal education. The corpus of analysis is comprised of two fundamental sources: Análise de alguns tipos de resistência (Analysis of some types of resistance; 1979), a transcription of lectures delivered in Creole at the African Party for the Independence of Guinea and Cabo Verde (PAIGC) cadre seminar in 1969; and the programming of Rádio Libertação, the party’s broadcasting station since 1967. This dual corpus makes it possible to observe different modalities of enunciation and reception—from the live word in the formative context of the seminar to the mediated word transmitted through radio waves. The theoretical framework guiding the study is Paul Zumthor’s Performance, recepção, leitura (Performance, reception, lecture; 1990), which argues that the nature of performance directly shapes the knowledge produced and transmitted. Thus, Cabral’s vocal performance not only communicates but also aims to transform and inscribe knowledge into the bodies and memories of the combatants, constituting an act of culture and a central instrument of formation and resistance.

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Author Biographies

RIVALDO MENDES FREIRE TAVARES, https://orcid.org/0009-0003-3979-4231

PhD student in Literary and Intercultural Studies (Portuguese) at the University of Macau (China). His research focuses on Cabo Verdean Modernist poetry, Portuguese literature in African countries, and Chinese poetry. He co-authored the forthcoming book Vozes das ilhas: canções de Cabo Verde, which explores these musical traditions from a pedagogical perspective. He also translated Amílcar Cabral poetry into Chinese, presented at the seminar commemorating Cabral’s centenary (University of Macau 2025).

RAQUEL ABI-SÂMARA, https://orcid.org/0000-0002-1300-9392

Assistant Professor at the University of Macau (China), where she teaches literature, translation studies, and Portuguese. She holds a PhD in Comparative Literature from the State University of Rio de Janeiro. A translator from German into Portuguese, she has translated works by Paul Celan, Franz Kafka, Hans-Georg Gadamer, among other authors. She co-edited the forthcoming volume Beyond, Belated, and Out of Place? Non-Hegemonic Literary and Aesthetic Moments on a Global Scale (Brill).

Published

2026-10-19